One of the main reasons I like my job is touring with amazing colleagues.
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Having a clear idea of the signal chain can help you troubleshoot effectively.
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Amanda Davis discusses her experience in live sound.
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Being in a TV studio usually means working with the program’s engineer to dial in a mix.
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Many audio engineers start in the studio before transitioning to the live music industry.
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Specializing your audio skills can be a great way to focus your career.
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What’s the most input channels you’ve ever needed for a show? I ask some pros.
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The acoustics in large arenas can be very difficult to manage.
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Just EQ it until it sounds good.
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How much gear do we carry with us on tour?
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It’s not fun mixing under a balcony.
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