We have many options for microphones, but some tend to work better in certain situations.
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System Engineer is one of the most critical audio positions in large-scale productions.
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Great sound for artists can mean more than just an IEM mix.
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Every venue carries its unique set of challenges.
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If you’re new to livestreaming audio, start by making sure you have a solid understanding of LUFS.
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It’s critical to think about dynamic range when mixing for broadcast.
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Tour Managers keep live music running.
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Alice shares some of her experiences working as a live sound engineer.
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Plug-ins can be wonderful audio tools to use, but they aren’t always seamless.
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There are tons of options for how to mic a drum set. Here’s where I start.
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Residencies are increasingly common for touring artists.
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As a freelancer, I get to work with a variety of amazing artists.
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I give you a behind-the-scenes look at prepping for a big music festival.
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Scaling up to arena-sized shows can have its challenges.
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Normally we don't think about timecode in live sound — but it can be an effective tool.
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It was fun mixing live comedy shows with Fred Armisen — even though we had a different mixing console almost every night.
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Sometimes you don’t have all the prep time you need for a show.
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The pressure involved with mixing live music can be intense — but also very exciting!
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There are many different audio positions in live music production.
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Sometimes it takes persistence to get the job you want.
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