In live sound, we need to know how much volume we have in the speaker system before clipping.
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TPA contributor Brian Maddox discusses the nature of sound, how it relates to audio, and the importance of “getting it right at the source”.
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In live sound systems, clipping an audio signal can eventually damage a speaker. This can be expensive to replace.
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The wireless audio landscape is changing year by year, which makes the job of an RF (Radio Frequency) coordinator increasingly important.
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TPA Contributor Madeleine shares some amazing knowledge from her audiology studies.
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Electromagnetic induction creates current from a changing magnetic field. This can mess with our audio systems.
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These two types of current power every aspect of our production.
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Calculating power needs is critical in production.
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All electrical circuits function by controlling the flow of electrons.
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Hearing loss is not a one-size fits all condition.
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Once we have a good mix we need to route it to the output of the mixer.
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You can assign input channels to VCAs or Subgroups, but they function differently.
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Sound levels are measured in “decibels,” but what does this actually mean? TPA contributor Madeline Campbell explains the science.
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Compression can help you build a well balanced mix.
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Gates are especially effective on percussion and other transient sounds.
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Both Parametric and Graphic EQ can dramatically alter a sound, but each tends to work best in specific situations.
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Soft Patching is a super handy feature of digital mixers.
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Correctly setting input gain is the first step to a great mix.
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Being aware of a microphone polar pattern can help you control what gets in (or stays out of) your mix.
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We have many options for microphones, but some tend to work better in certain situations.
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